The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. "Madam" , I warned,
"I hate a wasted journey - I am African."
Silence. Silenced transmission of pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold-rolled
Cigarette-holder pipped. Caught I was, foully.
"HOW DARK?"...I had not misheard...."ARE YOU LIGHT OR VERY DARK?" Button B. Button A. Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar-box. Red double-tiered
Omnibus squelching tar.
It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfoundment to beg simplification.
Considerate she was, varying the emphasis-
"ARE YOU DARK? OR VERY LIGHT" Revelation came
"You mean- like plain or milk chocolate?"
Her accent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted
I chose. "West African sepia"_ and as afterthought.
"Down in my passport." Silence for spectroscopic
Flight of fancy, till truthfulness chaged her accent
Hard on the mouthpiece "WHAT'S THAT?" conceding "DON'T KNOW WHAT THAT IS." "Like brunette."
"THAT'S DARK, ISN'T IT?"
"Not altogether.
Facially, I am brunette, but madam you should see the rest of me. Palm of my hand, soles of my feet.
Are a peroxide blonde. Friction, caused-
Foolishly madam- by sitting down, has turned
My bottom raven black- One moment madam! - sensing
Her receiver rearing on the thunderclap
About my ears- "Madam," I pleaded, "wouldn't you rather
See for yourself?"
Telephone conversation is a poem by Wole Soyinka. It is a poem on racism.
The poem starts with one African man calling to white woman from red telephone booth. He is in need of room. He says that price was reasonable and place was also good. But landlady wanted to know about the man. He says that he is African; and then sudden silence takes place. When the lady speaks poet can see lady lipstick coated and long gold rolled cigarette holder piped. She asks how dark are you? Light or very dark? This question shocks the African man. He doubts if it is dream or not? He sees around. The red booth, red pillar box, omnibus all were real. Lady again asks. The man answers that he is West African sepia written in passport. Lady says that it is dark. Isn't it? The man says that you should look you should see rest of me. The lady seemed to put phone. The man lastly says that "wouldn't you rather see for yourself?"
So this poem tells about how black people face insult and difficulties in white men's country.
A man's destination is his own village, His own fire, and his wife's cooking; To sit in front of his own door at sunset And see his grandson, and his neighbour's grandson Playing in the dust together. Scarred but secure, he has many memories Which return at the hour of conversation, (The warm or the cool hour, according to the climate) Of foreign men, who fought in foreign places, Foreign to each other. A man's destination is not his destiny, Every country is home to one man And exile to another. Where a man dies bravely At one with his destiny, that soil is his. Let his village remember. This was not your land, or ours: but a village in the Midlands, And one in the Five Rivers, may have the same graveyard. Let those who go home tell the same story of you: Of action with a common purpose, action None the less fruitful if neither you nor we Know, unt...
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